Practical Drum Kit Miking: Part 1
Drum kit miking is a black art as far as many project studio owners are concerned. Yet, as Benedict Grant explains in the first of this two‑part series, there's no need to let the kit beat you...
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Drum kit miking is a black art as far as many project studio owners are concerned. Yet, as Benedict Grant explains in the first of this two‑part series, there's no need to let the kit beat you...
Microtech Gefell's first multi-pattern mic is graced with the kind of looks which could assure it classic status — as long as its sound lives up to its stunning appearance. Paul White lends an ear.
Already well known for their valve mics and valve processors, Groove Tubes have introduced two new mics, one a valve model and the other solid-state. Paul White compares the two newcomers.
Paul White tries out a reincarnation of one of his favourite budget mics, and finds that the best has just got better.
Hugh Robjohns checks out a range of keenly-priced condenser mics from over there that look set to do rather well over here...
In recent years, Russia has become known as a source of quality inexpensive microphones. Paul White investigates the latest creme de la Kremlin.
A back-electret mic that doesn't need phantom power; Hugh Robjohns won't be calling the ghostbusters...
They may look the same as their predecessors, but inside the a-version of Groove Tubes' mics is a new set of circuitry. Paul White's feelin' groovy..
Success on a stick? Paul White studio tests a new back electret that would appear to combine strength with sensitivity.