SOUND ON SOUND
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.
Paul White puts Mackie's new 1202 VLZ next to his original 1202 and discovers more changes than you might expect.
Paul White experiences the delights of this all-digital, automated mixing environment where unwieldy cable harnesses and tiered patchbays are the thing of the past.
Paul White looks over the smallest mixer in Soundtracs' new Topaz range.
Paul White discovers that doubling the input capacity of a Mackie LM3204 is as simple as plugging in a single ribbon cable — and signing a cheque!
After a lengthy wait, Behringer's 48/24 dual input recording mixer is finally here. We take the wraps off this seductively priced 8-bus console.
3G's new 4-buss Mynah Plus is not just a mixer — it also features built-in single-ended noise reduction. But does this lift it above the competition? Paul White finds out.
June 20th saw Yamaha's world launch of the 02R at Air Lyndhurst Studios, London. Paul White spoke to Yamaha's engineers to get the lowdown on this appealing 8-buss digital recording mixer.
Paul White checks over Mackie's newest mixer and predicts another round of credit card battering amongst SOS readers.
Paul White lends a discerning pair of ears to this hauntingly familiar little mixer and discovers a practical blend of quality, usability, and value for money.
Paul White goes live armed with just an 8-track recorder and Spirit by Soundcraft's new ProTracker.
Paul White checks out what must be one of the smallest 8-buss recording consoles around, which sports MIDI muting and MIDI machine control and still maintains a very afordable price tag.
Paul White turns up the volume, and discovers that Spirit's PowerStation delivers both quality and quantity.
Paul white gets his hands on Mackie's long-awaited 3204 line mixer and discovers that it has hidden potential.
Paul White tries out Peavey's new rackmount mixer to find out if the tubes really make a difference...
Yamaha's latest digital mixing console was by far the biggest crowd sensation at this year's APRS in London, taking many people by surprise with its low price and wealth of features. Dominic Hawken lends a listening ear to the first unit in the country.
Can the Texas-built Ross RCS1602 compete with the wealth of low-cost UK-built desks? Shirley Gray searches for the answer.
Paul White appraises the latest contender in the budget, general-purpose mixer category, and finds that its deceptively simple facade conceals several powerful and unexpected features.
The X2 console forms the centrepiece of an Alesis studio that is becoming increasingly up-market and professional. Paul White checks out the new desk and finds that, despite its apparently high cost, it really does have a lot to offer to the more demanding user.
Though still a small name in the crowded UK mixer market, Phonic are gaining a reputation for building affordable desks with lots of features. Shirley Gray test-drives their latest console, a four-buss model with studio and live applications.
Paul White checks out Tascam's latest contender for the 8-bus crown and believes that, despite fierce competition, it's in with a fighting chance.