SOUND ON SOUND
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Star producer Ariel Rechtshaid inhabits many different musical worlds at once. No wonder he’s busy...
The latest product to bear the Electrodyne name combines classic ‘70s console summing with modern connectivity for use with DAWs.
This classy all-in-one stagebox-cum-mixer combines some of Harman’s most highly regarded technology — to great success!
Mix With The Masters have announced that a new Master has joined their online platform: Grammy Award-winning...
Focusrite have now opened Focusrite Academy, a free online video tutorial site dedicated to teaching music...
We are now under two weeks away from the next Music Expo, this time coming to Boston, on June 10th. Music Expo is a...
The sessions for Divide saw singer-songwriter Ed Sheeran exploring the possibilities of home recording for the first time, courtesy of engineer Joe Rubel.
Tablet-controlled mixers are nothing new — but some engineers are still wary of mixing without physical faders. Enter the DigiLive...
Soundcraft parent company Harman Professional Solutions have announced the new Soundcraft Mini...
Harman Professional Solutions have introduced three new Soundcraft Notepad mixers. The ...
Developed with Grammy Award-winning mixing engineer Simon Gogerly, VIProducer presents his comprehensive mixing...
So feature-laden is QSC’s newest TouchMix digital mixer that the question is no longer “Who would want one?” but “Who wouldn’t?”
In an unprecedented move the US distributors for Maselec, Prism Media Products Inc, are offering 10% off list...
The stagebox-cum-mixer format has proven popular over the last couple of years, and now Cornwall’s finest have joined the party!
With a gruelling schedule and strict technical requirements, including surround-sound elements, Steven Wilson’s recent Hand. Cannot. Erase. world tour was nothing if not ambitious.
Please help me to understand the terms ‘aux’ and ‘bus’ in the context of a mixer. Is there any difference between them? Do they perform the same function?
Live opera can be a life-changing experience — and London’s premier opera house is using immersive sound to explore new ways of sharing it.
When it comes to mixing drums, few things have studio newcomers tearing their hair out more often than compression. We clarify matters by identifying a series of distinct drum-mixing tasks for which engineers commonly use compressors.
QSC show off their new TouchMix-30 Pro — the big brother of the...