Boss RV-200 Reverb
The latest addition to the 200‑series is the RV‑200 Reverb, which offers 12 different reverb types, including a new algorithm called 'Arpverb'.
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The latest addition to the 200‑series is the RV‑200 Reverb, which offers 12 different reverb types, including a new algorithm called 'Arpverb'.
The latest addition to the Boss Katana series packs much of the same functionality into a compact headphone amp that connects directly to an instrument, offering users with a versatile solution for on-the-go practise.
The latest addition to the Boss pedal line-up comes loaded with 11 premium guitar amp models along with cabinet impulse responses courtesy of Celestion Digital.
It’s nearly half a century since the first guitar synth became available commercially — and, boy, have they come on a long way since then!
Boss’ latest X series pedal uses the company’s Multi-Dimensional Processing technology to intelligently silence noise without any negative effects on tone.
This pedal brings Roland’s classic ’80s rackmount delay into the 21st Century, with dual delay engines and modern control options.
Boss’ new ME-90 multi-effects pedal combines amp modelling and impulse response loading with a range of effects derived from their flagship GT-1000 unit.
The latest delay pedals from Boss emulate the sound of the Roland SDE-3000 Digital Delay, with one model offering an authentic recreation of Eddie Van Halen's live amp and effects setup.
The SL-2 Slicer from Boss offers some of the features and sound capability of their SL-20 in a more compact, pedalboard-friendly form factor.
The latest addition to the Boss Waza Craft pedal family is an updated version of their legendary DS-1 Distortion unit.
Pedal maestros Boss revisit the iconic Roland Space Echo in two different formats.
Boss have launched a Waza Craft Fuzz pedal, which uses new circuitry that aims to recreate classic fuzz sounds and more modern variants.
Boss’s best‑in‑class looper just got even better.
The IR‑200 is a compact, DSP‑powered pedal that pairs an amp simulator with a speaker cabinet impulse‑response engine.
RE-202 and RE-2 emulate the sound of Roland's classic tape delay & spring reverb unit
Boss got so much right with their DD‑3 that it has remained on sale ever since it launched in 1986. But this year they’ve updated it and introduced the more adventurous DD‑8.
There are plenty of very heavily distorted examples already out there to be heard, but I’ve gone for some tones that I think challenge the technology a little more.
Widely touted as Boss's response to UA's popular OX, the Tube Amp Expander actually offers a contrasting approach. Will one of them be a clear winner?
Could Boss’s latest do-it-all modelling processor form the heart of your live or recording rig?
This neat box of tricks offers a wide range of vocal effects, as well as the ability to track the pitch of a guitar or MIDI input.