TC ELECTRONIC G MAJOR
The effects engine of the feted G Force at half the price! What more could you want? TC Electronic's new G Major guitar multi-effects processor sets out to redefine the price/performance ratio.
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The effects engine of the feted G Force at half the price! What more could you want? TC Electronic's new G Major guitar multi-effects processor sets out to redefine the price/performance ratio.
Joemeek's new dual recording channel provides an innovative current-sensing preamp, optical compression and three-band equalisation, as well as the option to fit an onboard stereo A-D converter.
TC-Helicon claim that their flagship vocal processor can make you sound like a totally different person. But how well does it work?
Used correctly, reverb is of the most powerful tools of modern music production. This month, we explore the most effective treatments for some of the individual components of a mix.
Paul White looks at how real reverberant spaces affect the perception of sounds within them, and shows you how your digital reverberation unit can simulate this process.
Eventide's new entry-level unit brings their high-end algorithms within reach of the serious home studio owner.
TL Audio's successful Fat 1 stereo compressor now has a new sibling with its own built-in mic preamp. Paul White delivers the SOS verdict.
The inherent non-linearities and distortions of analogue equipment are sometimes sorely missed in this digital age. Empirical Labs offer their new FATSO Jr as a solution.
The new compressor in Focusrite's Platinum Range offers pre-programmed settings for ease of use, whilst still incorporating extensive manual parameter control. Paul White gets to grips with the Penta.
Lexicon's new multi-effects unit offers the classy sound quality of the MPX500 at an even more affordable price point.
Four years on from its launch, Sherman have updated their innovative Filterbank analogue filter unit. Paul Nagle checks out all the weird and wonderful new features.
Paul White tests a specialised analogue delay unit, designed to emulate the unique warm sound and complex echo patterns of its vintage, tape-driven ancestors.
Continuing the trend for reinventing the classics, this reworking of the original Trident 'A'-range input module seeks to recreate the sound of the '70s. Hugh Robjohns steps back in time.
EQ is a vital tool in modern music production, and an understanding of how each type of equaliser works is important if you are to choose the most effective one for each situation. Paul White and Mike Senior explain the basic principles of equalisation and the different practical implementations.
Paul White evaluates the DS501, which adds a new Peak Punch feature to Drawmer's classic side-chain filter gate design.
More than 30 years after the original 1176 was introduced, it has been put back into production by the designer's sons. Hugh Robjohns investigates the latest and most authentic reproduction of this classic 1960s compressor.
Emu's multi-coloured assault on the sound module market continues with the Planet Earth, which houses a brand new set of ethnic and world sounds. Confirmed tree-hugger and Emu preset basher Paul Farrer takes time out from boiling a mixed-lentil casserole to check it out...
TC‑Helicon's revolutionary VoiceCraft card for their VoicePrism processor allows the user to radically reshape the whole character of a vocal sound, adding tonal and inflectional changes that go way beyond the capabilities of current voice processors. Paul White talks technology with designer Fred Speckeen.
Hugh Robjohns checks out the new hardware incarnation of Antares' award-winning microphone-modelling software.