AKG C1000S
Paul White tries the latest incarnation of an old friend and discovers that beneath the new paint job, little has really changed.
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Paul White tries the latest incarnation of an old friend and discovers that beneath the new paint job, little has really changed.
Paul White tests a new valve mic that captures the essence of a good vintage design at a realistic price.
The battle for low-cost valve mic supremacy warms up as Paul White encounters Peavey's new PVM T9000.
Though they're usually not specifically designed for recording, miniature mics can be real problem solvers in certain situations.
Paul White studio-tests Sennheiser's new range of affordable vocal microphones to see if they really can give the established models a run for their money.
Still looking for the best mic/preamp money can buy? Hugh Robjohns unearths some real gems from the USA.
The TLM103 is, of course, a complete impossibility — it has supposedly been designed to a project studio price whilst retaining the qualities of Neumann's top-flight, large diaphragm U87.
Paul White gets an earful of a new range of quality mics that goes easy on the pocket but doesn't compromise on sound.
Beyerdynamic have become the first mainstream manufacturer to offer the audio industry a practical digital microphone. Hugh Robjohns investigates the MCD100 to see if it represents the future of recording technology.
The type of microphone you choose for a given task can have a profound effect on the quality of the resulting recording. Paul White sorts out the dynamics from the capacitors.
Paul White Studio tests EV's new capacitor model, designed for use both on stage and in the studio.
Neumann's versatile TLM50 omni-pattern mic combines transparency with a subtle high-end lift.
Paul White looks at the workings of capacitor mics and discusses their advantages for studio recording.
Paul White tests AKG's new budget studio valve mic to see whether it's really possible to build a quality tube capacitor mic for under £1000.