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Notes From The Deadline
As they say oop north: where theres virtual brass, theres muck.
Sounding Off: Is New Gear Better?
When it comes to gear, old is good, but new is better.
Full Metal Racket!
Editor-In-Chief Paul White recommends we all keep that live vibe in our recordings...
Notes From The Deadline
The global financial meltdown would never have happened if only KPMG had modelled themselves on KPM.
Sounding Off: Jem Godfrey
Vintage synthesizers: can you love them too much?
A True Visionary: Les Paul
Editor-in-Chief Paul White pays tribute to the passing of a true recording legend — guitar innovator Les Paul, the man who introduced the record-buying public to the joys of an overdubbing technique that became known as ‘sound on sound’.
Notes From The Deadline
All too often, faking it represents the easy way out for the media composer. But if you can put in the effort to keep it real, youll reap the rewards.
Sounding Off: David Ricard
The thrill is gone: or why buying gear aint what it used to be...
Learning Live Lessons
I'm writing this leader column while still recovering from helping to organise the live sound for Malvern's West Fest all‑day...
Notes From The Deadline
Will your music become immortal, or simply indigestible? Its all about context.
Sounding Off: Gordon Reid
The sincerest form of flattery?
Recording On Trial
Does the public actually listen to music any more, or do they simply hear it?
Notes From The Deadline
Almost everything about being a composer of music for television is a gamble, except getting paid. Thats two gambles.
Sounding Off: Is DAB A Disaster?
With the FM radio frequencies under threat from the UK government's planned sell-off, is DAB coverage and quality really good enough to replace it?