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Here's a PDF of the correct Chart we published in SOS way back in 2012, showing the fundamental frequency ranges of instruments, plus a translation of subjective audio qualities like 'sizzle', 'boxiness' and 'presence'.
Apogee's MiC offers a quality preamp and converter significantly better than those built-in to iOS devices and Mac sound cards.
This month we take a stroll throught the Mac audio editor market and pick up a few bargains along the way.
Pioneering work in assistive technology is transforming the lives of people who are unable to play conventional musical instruments.
The Bryant boffins have come up with a totally unique XLR connector which could be a huge time saver in the studio or live.
If you want to overdub programmed parts to a performance that varies in tempo, Cubase has all the tools you need.
In the D5, Equator have employed the same innovative technology they use in their premium models — but at a remarkably low price.
MakeMusic’s Finale score-writing software has been helping composers and publishers for a quarter of a century. What does its 2012 incarnation bring?
Multi-format 'mood'-themed collection
Underpinning the biggest spectacle of 2012 London Olympic Games was probably the largest multitrack recording ever made. Just how do you mix a thousand-track project?
Keith McMillen’s idiosyncratic controllers go from strength to strength — and in this case do so with a spectacular blaze of colour...
A good monitor controller is invaluable — but ‘good’ doesn’t have to mean complicated...
This compact ‘wedge’ speaker uses a coaxial driver to deliver broad stage coverage and a sound that cuts through.
Paul White's thoughts on what the difference is these days between project studio and professional studios.