Alesis AM11, AM30 & AM40
Groove Tubes' latest trio of microphones offer a choice of diaphragm and circuit designs at competitive prices. Paul White examines the sibling rivalry...
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Groove Tubes' latest trio of microphones offer a choice of diaphragm and circuit designs at competitive prices. Paul White examines the sibling rivalry...
More than just another stand-alone box that burns CD‑Rs, the Alesis MasterLink also includes a large hard drive to store audio and built-in CD mastering tools — in theory, all you need to create CD‑R masters without ever booting up a computer.
A new system from Alesis offers ADAT users the best aspects of both tape and hard disk, allowing them to copy material from an ADAT to a computer for editing, then fly it back to tape with single-sample accuracy. Paul White puts it to the test.
The latest addition to Alesis's DM series of drum modules has the suffix Pro — but does it have the feature‑set to match?
With so many good capacitor microphones already on the market, can Alesis offer anything new? Paul White puts their new large-diaphragm FET and valve mics to the test.
Paul White meets the latest version of Alesis' Quadraverb concept, and finds it respendent with 20-bit I/O, improved digital and analogue interfacing, and a proper internal PSU.
The ADAT format is more often the choice of personal studios than professional facilities — but the new M20 is set to change all that. Hugh Robjohns takes the 20-bit ADAT for a spin.
Paul White meets the junior member of Alesis' family of Type II 20-bit ADAT recorders.
Despite their success in most other areas of music technology, mixers have never been Alesis' strong suit. With their new compact model, Paul White thinks that they may just have come up trumps.
Paul White tests the 20-bit Alesis ADAT XT20, to see whether it wil really help us make better recordings or just allows us to record our low-level hum and noise more accurately!
Nicholas Rowland explains how you can take advantage of your computerised drummer to generate effects that sound anything but human...
Delay, originally called echo, is one of the oldest artificial effects, yet it can still be one of the most impressive — if used with care. Paul White explains the potential problems and how to avoid them.
Andy Keir casts a critical ear over the new Alesis rack mixer and discovers that he's in for a quiet time.
Paul White concludes his series with an exhortation to unleash your creativity...
The Nanosynth is a pygmy on the outside but a veritable Watutsi on the inside. Derek Johnson cuts a swathe through the undergrowth in search of tiny treasure...
Bass, how small can you get? Nicholas Rowland gives Alesis' new bottom end a good slap.
Paul White checks over the Alesis Wedge and finds that, despite its simplicity, its not the thin end of the reverb.
A very, very big piano inside a very, very small box: Derek Johnson investigates Alesis' latest impressive conjuring trick.
With S+S instruments giving way to the new wave of physical modelling synths, does Alesis' new 'QS-in-a-box' still have what it takes to turn heads? Paul White tunes in, turns on and finds out...