Sony Oxford R3 EQ
R3 comprises a five-band, fully parametric EQ design plus switchable-slope, variable-frequency high and low-pass filters.
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R3 comprises a five-band, fully parametric EQ design plus switchable-slope, variable-frequency high and low-pass filters.
With competition hotting up in the DMX R100's sector of the market, Sony have released a major new software upgrade to make their contender stronger than ever.
We test two pairs of high-quality closed-back headphones for discerning studio users.
With Sony's flagship sampling reverb processor you can now sample the acoustic signature of any space you want. Hugh Robjohns nips down the village hall to check it out.
Sony's surprise entry into the project-studio digital console market looks set to establish a new benchmark for ease of use and operational flexibility. Hugh Robjohns checks out the new DMX100.
Although he started his working life as a producer, Tom Lord-Alge chose to narrow his field of work, and now ranks alongside Bob Clearmountain and his brother Chris Lord-Alge as one of the best mix engineers in the world. We discover what makes a TLA mix tick...
One of the most exciting developments in sound processing technology this year was the announcement from Sony of a dedicated reverb unit which applied ambience 'sampled' from real acoustic spaces. Now the theory is reality. Hugh Robjohns gets his hands on the DRE S777.
Janet Harniman-Cook concludes her two-part feature with a guide to creating your own Enhanced CD.
Artificial reverb algorithms are designed to add 'fake' room ambience to recorded sounds — but a prototype reverb unit from Sony purports to deliver new levels of realism by imposing the characteristics of actual reverberant spaces on the sound. Hugh Robjohns explains....
Sony's new mid-priced multi-effects unit boasts four-channel operation, 200 preset effects algorithms, comprehensive user programming capability, and great sound quality to boot. Hugh Robjohns spins that dial...
Yes, it's a Minidisc machine and it's not even a multitrack, just a stereo recorder. Why on earth could you possibly want one in the studio? Dave Shapton explains...
Paul White tests Sony's diminutive powered monitor designed for desktop music and multimedia work. Can such a small box deliver the goods, and is the performance worth the price?
Paul White tests a new Sony DAT recorder offering professional features at an affordable price.
Taking a compact DAT machine out and about can gain you some unique recordings, but can also present you with some unique problems.
If you're in a situation where your DAT machine gets heavy use, it's probably worth considering a pro model rather than a domestic one. Hugh Robjohns studio-tests a new, moderately priced professional DAT from Sony.
This mid-priced DAT shares some rather higher-class innards with its more expensive siblings, and is also equipped with Sony's Super Bit Mapping technology for improved noise performance. Hugh Robjohns checks it out.
Sony's new MDMX4 digital multitracker heralds the beginning of a conscious attempt to woo the home recording market, and uses the company's own MiniDisc technology to put a digital spin on that home studio mainstay, the compact 4-track recorder. Hugh Robjohns checks it out.
Sony's DPSV77 is like a 'best of' compilation of all the company's dedicated single effects units, with the addition of a simplified user interface and a digital I/O. Is it a smash success or a one-hit wonder? Nick Magnus goes for gold...
What can Sony's new effects processor offer that its competitors don't already have? Paul White took the new Sony HR-MP5 into his studio to find out.