SPL Channel One Mk3
With a Transient Designer, a de‑esser and an unusually versatile input section, there’s more to SPL’s recording channel than most.
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With a Transient Designer, a de‑esser and an unusually versatile input section, there’s more to SPL’s recording channel than most.
SPL combine their acclaimed headphone amps with monitor control facilities and USB audio interfacing.
'Good enough' is rarely good enough for SPL, as this thoroughly over-engineered preamp testifies!
There are countless 500-series mic preamps, equalisers, dynamics processors, reverbs, and even delays, bitcrushers and A-D...
SPL's Crimson combines a high‑quality interface and monitor controller into one conveniently sized box.
Test plots to accompany the article
Controlling harsh 'ess' and 'tee' sounds in a vocal can be surprisingly challenging, but SPL's technology aims to make it easy.
Audio files to accompany the article.
• Angular Momentum KickLab XXL • Softube Trident A-Range • SPL MicroPlugs
This mic preamp and processor is about as flexible a device as you could hope for without taking the modular route — and all in the space of a 2U rack.
Sound Performance Lab have developed an enviable reputation for their hardware products, and now you can buy more for less with their modular rack system.
Two of SPLs most effective hardware studio tools are now available in native and HD plug-in formats.
Mixing on headphones is undoubtedly convenient, but you can never be sure if your mixes will translate well to speakers. This high-quality headphone amp and processor aims to address that problem.
If you want to capture the sound of your boutique valve amp for recording but can't turn it up loud, you need a power soak... and speaker emulation... and mic emulation... SPL's Transducer does it all.
Following on from their Model 2380 surround monitoring controller, SPL have now designed a stereo version with built-in talkback facilities.
This DVD disc is intended to demonstrate 5.1 surround-sound techniques, with four world-class drummers providing the source material.
A Channel One without the valve for little over half the price? Seeing (and hearing) is believing.
SPL's new surround-ready stereo compressor offers clever programme-adaptive compression, as well as decompression and tube-saturation functions.
Paul White might have more voice channels than he can find voices, but after using the new SPL Channel One, he gets the overwhelming urge to add another one to his armoury.