SPL Channel One Mk3
With a Transient Designer, a de‑esser and an unusually versatile input section, there’s more to SPL’s recording channel than most.
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With a Transient Designer, a de‑esser and an unusually versatile input section, there’s more to SPL’s recording channel than most.
The latest additions to the SPL product range offer upgraded versions of two of their popular analogue outboard design.
Attack‑enhancing plug‑ins can transform your mix — but they need to be used wisely!
In this episode, Eddie Bazil discusses using Transient Shapers in place of EQ and provides six practical examples.
German audio experts SPL have introduced a pair of new modules that package two of their most celebrated processing...
• Angular Momentum KickLab XXL • Softube Trident A-Range • SPL MicroPlugs
Two of SPLs most effective hardware studio tools are now available in native and HD plug-in formats.
If you want to capture the sound of your boutique valve amp for recording but can't turn it up loud, you need a power soak... and speaker emulation... and mic emulation... SPL's Transducer does it all.
SPL's new surround-ready stereo compressor offers clever programme-adaptive compression, as well as decompression and tube-saturation functions.
Paul White might have more voice channels than he can find voices, but after using the new SPL Channel One, he gets the overwhelming urge to add another one to his armoury.
Paul White checks out the new two-channel version of SPL's innovative dynamics processor.
The latest incarnation of SPL's enigmatic Vitalizer offers a mixture of the qualities of other models in the range. But does it have anything new to offer?
SPL are remowned for producing highly specialised audio processing tools, and their latest product is no exception. Paul White attempts to unravel the mysteries of the Transient Designer dynamics processor.
SPL's acclaimed Vitalizer design has always been a bit harder on the wallet than other maufacturers' models — until now. Derek Johnson plugs in their new enhancer for the rest of us...
Though this Charisma has only two channels instead of eight, it's lost none of the original charm.
With so much high-end analogue processing gear using valves these days, it's easy to assume that they invariably equate to a better sound — but that's not always the case. Paul White explains.
SPL claim to have come up with a completely new type of compressor. Paul White puts their assertions to the test.
Tape saturation is the latest thing to get the physical modelling treatment. Can two high-powered DSPs, however, really achieve the same effect as a strip of rust being dragged over a magnet? Paul White investigates.
Paul White tests the latest incarnation of the mysterious Vitalizer, and is non the wiser about how it actually works.