Studio One: Getting Creative With Dolby Atmos
With Studio One 6.5 you already have all the tools you need to mix in Atmos, so why not give it a go?
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.
With Studio One 6.5 you already have all the tools you need to mix in Atmos, so why not give it a go?
These audio files accompany the Multi-miking article published in SOS February 2024.
The amazing success of the Barbie movie was powered by its music. Mark Ronson and Andrew Wyatt were the producers, songwriters and composers who helped to turn the world pink.
Wrestling with low‑mid mud? Cubase’s dynamic EQ can help.
Digital Performer has everything you need to work with audio for picture.
Howard Jones burst onto the scene in the early 1980s with a collection of era‑defining synth‑pop hits such as ‘What Is Love’, ‘No One Is To Blame’ and ‘Things Can Only Get Better’. Asked to select a favourite sound, he circles back to the first of these.
Perpetual licence or subscription plan? Find out which is best for your needs.
Studio One now includes some powerful notation and tablature options. Let's explore...
U2’s residency at the Sphere in Las Vegas is revolutionising live music.
These three audio examples accompany our Cubase workshop in SOS January 2024.
‘Set Fire To The Rain’ was Adele’s third consecutive US number one, confirming her status as a superstar. In our exclusive...
Canadian Davey Badiuk is a composer, producer, mixing engineer and remixer, known for his unique ability to modernise organic music.
These audio files accompany the Power Up Your MIDI Arpeggiators article in SOS December 2023 edition.
Our exclusive four-part video documentary series goes behind the scenes of one of the most detailed orchestral sample libraries ever made. In Chapter One, we meet the team from Spitfire Audio and Abbey Road Studios as they develop the epic concept for Abbey Road Orchestra…
Ricky Damian is that rarest of things: a young engineer trained in all‑analogue recording. His experience stood him in good stead with Jorja Smith.
Using only the tools built into your DAW, you can turn your arpeggiations into complex, engaging sequences.
We explain why aliasing in plug‑ins isn’t always a problem — and why oversampling isn’t always the solution.
Universal Audio’s Sphere microphone modelling system is well known for emulating classic mics — but that’s not all it does.
Mixing gets so much easier when your processing chains are configured to deliver the same results in response to the same levels!
Stay on top of your content with DP's powerful Clippings.