Spot The Difference
Paul White's thoughts on what the difference is these days between project studio and professional studios.
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Paul White's thoughts on what the difference is these days between project studio and professional studios.
Mike Stevens has worked with some of the world’s biggest pop acts at countless high-profile live events, including the Queen’s recent Diamond Jubilee concert.
The computer is no more than a passing fad.
This month: Newton Faulkner, Paloma Faith, Nicki Minaj, Coldplay and Rita Ora.
David Kosten is one of the UK’s most sonically adventurous producers, but insists that the song is king — no matter how twisted the recording.
Who are the most successful British synth manufacturers of all time? Hint: they’re alive and well — and busier than ever...
Live-sound employment is now more competitive than ever, so how can you stand out from the crowd? We asked some of the leading teachers and employers in the industry for their advice.
Looking back over some very old leader columns, I came across some of my comments and suggestions for making aspects of music technology more friendly.
Barrington Haynes asks the question.
This month's tracks are from Madonna, Justin Bieber, Elbow, Maroon 5 and Flo Rida.
We’re used to hearing rock albums reworked by electronic producers — but Alanis Morissette chose to do things the other way around...
Editor In Chief, Paul White questions vintage gear plug-ins.
Need more space? Lose the cymbals!
We examine the production of some recent releases from Paul McCartney, The Maccabees and Fun.
John Porter made his name with British indie and rock music — but is now arguably the world’s leading producer of blues records.
I don't get the point of telephone text messages, I really don't! Come on guys, speech transmission was established as a...