All About EMS: Part 2
In the final part of our two-part Retrozone, Gordon Reid charts EMS's further achievements, the reasons for their decline in...
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In the final part of our two-part Retrozone, Gordon Reid charts EMS's further achievements, the reasons for their decline in...
In the first part of a two-part series, Gordon Reid charts the rise of EMS and their creation of the world's first self-...
Watch out — this month's column sees Big George in fighting mood...
Even the most robust musician can be turned into quivering jelly at the prospect of having to sign a legal document — yet it's impossible to make much progress in the music business without signing contracts. Robin Morley guides fellow musicians through the contractual maze of management, publishing and recording deals, in an attempt to make things a little clearer...
Last month Robin Morley told of how, armed with a new understanding of the music business, he set out to secure himself another record deal 10 years after signing his first one. In the second half of his feature, he explains how a willingness to think about marketing and promotion bore fruit for him — and how it can work for you.
Big George tells a cautionary tale about a not-so-typical day at the office...
Can you believe it? This month Big George is temporarily lost for words.
The traditional ways of attracting the attention of record companies are becoming ever more difficult to pursue, and if you don't have a well-connected manager, you might think that you don't stand a chance. As Robin Morley found, however, a little ingenuity and industry knowledge can do a lot for you...
Success in the music business is, as everyone knows, as much about packaging as it is about content — but it can be hard to find the right look for your CD, especially if you're working on a tight budget. Debbie Poyser gets some advice from one of Britain's top professional sleeve designers.
There are many roads to chart success. Big George gives you directions...