Inside The Abbey Road Reverb Chamber
In our exclusive video, Abbey Road's Mirek Stiles explains how EMI’s studio boffins developed their secret weapon, and puts it through its paces on drums, guitars, vocals and more.
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.
In our exclusive video, Abbey Road's Mirek Stiles explains how EMI’s studio boffins developed their secret weapon, and puts it through its paces on drums, guitars, vocals and more.
It's more than 20 years since the BBC closed their legendary Radiophonic Workshop, but its spirit lives on in the Radiophonic Room at Manchester's Eve Studios.
A new business model for mastering houses allows you to submit tracks via the Web and pay on-line. Last month, we embarked on a unique test of these services. This month: the results are in...
A new business model based around the Internet promises to make professional mastering more convenient — and much more affordable. But is on-line mastering a real alternative or a false economy? We put the UK's leading services to the test.
Think your own music is good? Listen to these tracks from SOS readers and see if you agree with the good Doctor's prognosis...
Think your own music is good? Listen to these tracks from SOS readers and see if you agree with the good Doctor's prognosis...
Think your own music is good? Listen to these tracks from SOS readers and see if you agree with the good Doctor's prognosis...
Another batch of lucky SOS readers' demos wait nervously for the Doctor's prognosis. What is the verdict? Listen while you read on...
Another batch of lucky SOS readers' demos wait nervously for the Doctor's prognosis. What is the verdict? Listen while you read on...
The Doc proffers diagnosis and suitable cures for another batch of reader-submitted meisterwerks.
Mike Simmons concludes his serious on designing and cosntructing a web site by answering some of the mant reader queries received in response to earlier instalments.
Mike Simmons ties up some loose ends with some words on browser compatibility, a look at other Internet music other than Real Audio, and a brief guide to using frames on your site.
Mike Simmons continues his introduction to web design for musicians with a more detailed look at the most important HTML tags, and explains how, when and in what form to use graphics on your site.
Computers have always been important in the hi-tech studio for sequencing and, latterly, recording audio. They can, however, be equally useful for publicising and distributing your music, if you're connected to the Internet. Mike Simmons explains the basics of setting up a web site from a musician's perspective.