Dynamic Range Day 2024
Dynamic Range Day was started by mastering engineer Ian Shepherd, and aims to raise awareness of the negative impact that excessive dynamic processing can have on music.
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Dynamic Range Day was started by mastering engineer Ian Shepherd, and aims to raise awareness of the negative impact that excessive dynamic processing can have on music.
Four‑time Grammy winner Michael Romanowski is one of very few people offering mastering services for immersive music.
A good real‑time analyser can draw attention to what our ears miss, and with multi‑channel formats that second opinion can be invaluable.
LANDR Studio aims to provide users with everything they need to make, refine, share and monetise their music.
The career of LA producer and engineer Mark Linett spans everything from live mixing for Frank Zappa to engineering for Randy Newman and the Red Hot Chili Peppers. We talked to him about his studio, the gear of past and present, and his extensive work remixing and remastering classic Beach Boys records.
The people behind online, AI-based mastering service LANDR are currently running a competition in collaboration with...
Spektakulatius: With last month’s mixes in the bag, our engineer was tasked with finding and working with a mastering engineer to put the finishing touches to both albums.
Remastering projects dont come much bigger than this: a team of engineers spent four years in Abbey Road studios creating the definitive Beatles collection. Here's their story...
I have been recording music for quite a few years now, but I always get the same problem when I listen back to my mixes:...
A new business model for mastering houses allows you to submit tracks via the Web and pay on-line. Last month, we embarked on a unique test of these services. This month: the results are in...
A new business model based around the Internet promises to make professional mastering more convenient — and much more affordable. But is on-line mastering a real alternative or a false economy? We put the UK's leading services to the test.
Last month we discussed how to prepare mixes so that they are ready for the mastering engineer. This month, we look inside the mastering room during the processing of an album, to see what kind of equipment is used, and the sort of processes that are applied to finish the tracks to the required standard.
Frank Zappa produced a vast amount of recorded material during his career, often pushing both his musicians and the technology of the day to extremes. The task of editing, mixing and archiving these recordings is being undertaken by his son Dweezil, with the help of some cutting-edge computing hardware.
Twenty years after Steve Levine first produced Culture Club, he reveals how he has been using a new generation of digital tools to restore those original recordings.
Among his many credits as an engineer, producer, programmer and artist, Jon Astley is perhaps best known for his award-winning work remastering classic albums from the likes of The Who, Abba and George Harrison.