Moog Mariana
Moog’s new bass soft synth goes deep. Really deep...
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Moog’s new bass soft synth goes deep. Really deep...
This software recreation of their legendary monophonic synthesizer is now available for Mac computers as well as iPhone and iPad.
Mavis is a semi-modular DIY synth that can be used both standalone or as part of a Eurorack system.
Moog say their latest Theremin preserves Bob Moog's “legendary Theremin circuits”.
New bundle comprises three Moog modules plus accessories, a dust cover and a card game.
Michelle Moog Koussa, Executive Director of the Bob Moog Foundation, talks to Rob Puricelli about her father's legacy.
New synth bundle includes everything you need to start exploring electronic sounds.
Moog Music have announced a limited edition of the classic proximity-sensing instrument, called the Claravox Centennial Theremin.
The creators of the highly-regarded original PATCH & TWEAK book have teamed up with Moog Music to produce this 200-page book on Moog’s Semi-Modular Analog Synthesizers.
Moog Music Inc. have today announced the upcoming release of a limited-edition redesign of the superb Sub 37 Tribute...
The Minimoog is back. Not in limited quantities. Not as a special edition. The iconic Minimoog Model D...
In January last year, Moog left many open-mouthed when they announced the reissuing of the mighty System 55,...
Having explained last month the reasons why analogue synthesis of guitar sounds should be well-nigh impossible, Gordon Reid puts the theory to the test...
Having dealt exhaustively with the mechanics of brass instruments and how to go about synthesizing them, we turn to instruments that use plucked strings to generate their sound, taking the complexities of the acoustic guitar as an example.
Last month we looked at how analogue modules can reproduce the sound of a real trumpet. All very well if you own a wall-sized modular system — but what if your means are more limited? Gordon Reid adapts theory to practice with a Minimoog.
Having explored the way monophonic and duophonic analogue keyboards work, Gordon Reid puts away his Minimoog and Odyssey and descends into the complex world of polyphonic synths to a flourish of complex jazz chords.
In these days of 64-note polyphony and 32-part multitimbrality, it's easy to forget the importance of note-priority systems in analogue monosynths — yet they can have a drastic effect on what you hear when you play or trigger an old synth. Gordon Reid provides a refresher course.
You press a key on your synth. It plays a note. That's it, right? Wrong. We explain the role of envelopes, gates, and triggers in this deceptively simple process.
Having dealt last month with the concepts of envelopes, oscillators and LFOs, Gordon Reid moves on to the subject of filters, and the havoc they wreak on the signals that pass through them.
In Part 1 of this (63-part) series exploring the world of subtractive synthesis, Gordon Reid goes right back to basics. What are waveforms and harmonics, where do they come from, and how does the theory relate to what we actually hear?