Library Work
Last month, we explained how the business of production music works. But if you want to get into it, you'll need to learn how to make stings, cut-downs and the other elements of a usable library track.
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Last month, we explained how the business of production music works. But if you want to get into it, you'll need to learn how to make stings, cut-downs and the other elements of a usable library track.
Whether you're recording real players or using samples, our in-depth guide is your key to polished and authentic-sounding strings.
The business of TV and film is changing fast, and production or library music is becoming ever more important. One of the UK's most experienced production music composers explains how to get your foot in the door.