Marshall DRP1
Axe heroes wanting that classic Marshall stack sound without the bulk should check out this floor-mounting DI unit. Paul White put his foot down.
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.
Axe heroes wanting that classic Marshall stack sound without the bulk should check out this floor-mounting DI unit. Paul White put his foot down.
Opcode's new Overture notation program has been called "dtp for music" and aims to bring the arcane art of music notation into the age of user friendliness. derek johnson finds it's worthy of note...
Roland's latest synth module boasts an impressive spec, including a 32-bit RISC processor, 64-voice polyphony and the ability to hoast up to four expansion cards simultaneously. Could it be the only synth you'll need? Dave Crombie finds out.
Paul White checks out the new MIDI switch controller from Rolls.
Paul White gets a look at a versatile modular wall box with up to 32 inputs.
Can the Texas-built Ross RCS1602 compete with the wealth of low-cost UK-built desks? Shirley Gray searches for the answer.
Paul ward suits up, closes the airlock, engages warp drive and boldly goes where no SOS reviewer has gone before...
When Europe's best known sequencer 'went audio' around two years ago, the resulting program was acclaimed as " unique and well thought out" — but times change, and cubase audio's latest version is up against some stiff competition from the likes of opcode, motu and emagic. mike collins checks out its chances...
Emu's Vintage Keys module offered a tempting selection of sounds sampled from the cream of desirable analogue synths. Now the same concept has been remodelled, with a lower price tag to appeal to a larger range of musicians. Gordon Reid assesses the Classic Keys.
Derek Johnson takes a look at two 88-note master keyboards that provide piano-like feel without breaking the bank.
Paul White unpacks a crate of Lite and discovers a processor that could brighten up your rack as well as your sound.
Lexicon's PCM70 reveb has been widely acclaimed as a modern classic, a ubiquitous component of pro studios worldwide. Paul White tests out its successor, the PCM80, falls deeply in love with it, then has to give it back!
Martin Russ gets his analogue teeth into the Marion Systems MSR2 mainframe and ASM analogue synth module.
The Fostex RD8 digital multitrack combines the Alesis ADAT tape format with a wealth of on-board synchronisation and control facilities. David Mellor investigates.
Amongst the black rackmount boxes and sleeky anonymous keyboards, one new hi-tech instrument stands out, as much for what's inside it as for its appearance. SOS brings you the exclusive first look at the latest incarnation of physical modelling technology, korg's adventurous new Wavedrum. Review by Julian Colbeck.
Paul White appraises the latest contender in the budget, general-purpose mixer category, and finds that its deceptively simple facade conceals several powerful and unexpected features.
Many musicians are familiar with the SPL Vitalizer. Now the company hope to win a space in the racks of studios world-wide with their new Optimizer. Dave Lockwood finds some unique features behind the company's unconventional approach to equaliser design.
Not only does this digital processor produce a wide range of convincing guitar tones, it can also double as a general-purpose studio effects unit. Paul White dusts off his axe and plugs in.
Dave Crombie gets to grips with Alesis' Tardis-like synth module and finds out that the inside is a lot bigger than the outside.
Behringer claim that the Combinator can dramatically compress a signal without introducing any undesirable side-effects. Paul White checked it out on a mastering session.