Audio Technica AT873R
Paul White tests Audio Technica's latest low-cost back-electret mic and discovers thats its performance is out of all proportion to its size.
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Paul White tests Audio Technica's latest low-cost back-electret mic and discovers thats its performance is out of all proportion to its size.
Paul White turns his critical ear to three Groove Tubes valve mics, and concludes that they are more likely to tell you what you want to hear than the unbridged truth.
With MIDI playing an ever greater part in music production, there's a danger that the art of using microphones will be lost. Paul White describes the valuable techniques of miking acoustic instruments — something he recommends every studio user should learn.
Paul White puts his exotic mic collection back in the cupboard to try out Samson's budget dynamic vocal model.
Though not new, Peavey's PVM480 back-electret mic is an ideal first capacitor mic. Sound Engineer Steve Brodie explains why.
If you've ever wondered what happened to the Iron Curtain, Paul White's theory is that it was melted down to make budget Russian mics! Here he takes a look at the latest two to defect to the West.
Paul White takes a SoundField ST250 Stereo Microphone to a live recording session to see if the reality lives up to the legend.
Microtech's original UM70 set the affordable capacitor mic ball rolling, but now there's a transformerless version featuring a new housing. Paul White took it for a test drive.
Paul White intercepts another incoming Russian microphone, this time from Nevaton Ltd in St Petersburg.
A new bargain capacitor mic threatens to stop the drain of hard currency into the coffers of ailing ex-Eastern Bloc states. Paul White checks out the American-made CR3A.
Audio Technica's stylish new Midnight Blues range of microphones represent the company's latest foray into the budget dynamic mic market. Paul White gets the Blues... but is cheered up by the mics!