Synthesizing Percussion
Synth Secrets turns its attention to the synthesis of percussion instruments, beginning with pitched drums.
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Synth Secrets turns its attention to the synthesis of percussion instruments, beginning with pitched drums.
Roland's innovative new audio workstation is the first multitracker to use a CD-RW disc in place of a hard disk, and offers a one-stop production station with multitrack recording, phrase sampling, and CD mastering.
Having proved that subtractive synthesis of an acoustic guitar is completely impractical, Gordon Reid tries his hand at the electric variety, and deconstructs some past attempts to emulate the sound via analogue means.
Roland's eagerly awaited new flagship VS workstation builds on the success of the VS1680 and VS1880, offering a massive range of features including 24-track, 24-bit and 96kHz recording, a 64-channel digital mixer, up to eight stereo effects processors, 24-voice phrase sampling, and an enhanced graphical output for a VGA monitor.
Gordon Reid concludes his attempts to adapt an idealised analogue brass patch so that it can be programmed on real synths. This month, he looks at the Roland SH101 and ARP Axxe.
Roland followed their first MC303 Groovebox with the well-specified MC505. Now there's the MC307, with a spec more like the 505, a price closer to that of the 303, and more DJ-friendly features.
Roland's new entry-level performance synth is a full-length yet lightweight synth-action keyboard with ready-to-go sounds derived from recent JV and XV expansion boards. Nick Magnus investigates the RS9's family tree.
The SPV355, launched in the late '70s, was intended to allow the pitch of instruments such as guitars and saxophones to control analogue synth sounds — which it does with varying degrees of success. Fortunately, it has other tricks up its sleeve, as Chris Carter explains.
Paul White studio tests Roland's versatile modelling guitar amplifier, which has applications both on stage and in recording.
The XV88 is the first of Roland's new XV range of synths to sport a keyboard, and also adds all manner of real-time control facilities. Gordon Reid checks it out with two of the new SRX-format sound expansion boards.