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Waves’ latest plug-in takes us into the bowels of the world’s most famous studio!

Audio Damage’s latest plug-in instrument gives an accessible but versatile take on granular synthesis.

Chris Watson’s fascination with location sound recording has taken him to some of the most remote places on Earth, where climatic extremes and uncooperative wildlife push his equipment and skills to their limits.

Not all piano-roll editors are created equal — Cubase’s boasts some very handy chord-programming tools.

Even though it first saw the light of day in the early 1980s, MIDI is a protocol that shows no sign of fading away, and for those of us who depend on it, it’s an ongoing relief that companies such as Kenton exist...

We get up to speed with the latest leaps in Line 6’s guitar-modelling technology.

Mackie offer a straightforward and affordable approach to audio interfacing with two new Onyx units.

Clearly aimed at the cost-conscious end of the market, the Forbidden Planet filter embodies its quintessentially analogue namesake thanks to a 2-pole, 12dB/oct filter inspired by the 1975 Steiner-Parker Synthacon...