Avid Pro Tools | Carbon
Avid’s innovative ‘hybrid’ audio interface promises to banish latency for good.
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.
Avid’s innovative ‘hybrid’ audio interface promises to banish latency for good.
Pro Tools | Carbon might be the biggest news from the world of music technology this year. But how does Avid's "hybrid audio interface" work?
The SOS team pick their highlights from 2020's hardware and software launches.
Spitfire’s latest project marks a new partnership with an iconic London studio.
The revised Klasik from Polish company APS offers exceptional performance at a remarkably low price.
Arturia add some helpful extras to their plug-in models of three classic analogue modulation effects.
Are Audient’s minimalist EVOs smarter than the average audio interface?
AA’s latest cans employ their successful high‑excursion driver in a new on‑ear design.
Avantone’s take on the classic NS‑10 is now available in powered form. We fire them up...
This characterful compressor offers a little more control than most ‘vibe machines’.
Heavyocity’s commando percussion team return to the sound stage tooled up and looking for something to break.
Once again, iZotope have raised the benchmark for affordable audio restoration.
Eventide’s Spring is a meticulous emulation of the kind of spring reverb you might find in a guitar combo, but with an extended parameter range for more creative uses.
GIK Acoustics' portable vocal screen is sensibly-priced and reduces room coloration, but without adding any obvious boxiness from the screen itself.
The EQ2 offers quality graphic and parametric EQ, with full MIDI capabilities, all delivered in a robust pedal. What's not to like?
Much more than a crossfade tool, Transmutator offers multiple blending modes that allow you to combine or transition between two signals in creative ways.
If you’ve not used this style of sequencer before, then it can be totally revolutionary in terms of what it does to your modular music-making.
Given its excellent price tag, this Eurorack mixer has more features than it has any right to, and it doesn’t skimp on the sound quality.
This stereo analogue filter allows different filter modes for the left and right channels, and then messes with the dimensions of space by applying mid‑side processing afterwards.
Mojave’s most affordable mic yields great results on a wide range of sources.