Universal Audio guitar pedals unveiled
The UAFX series comprises three DSP-based effects, with algorithms coded by the UAD plug-in team.
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.
The UAFX series comprises three DSP-based effects, with algorithms coded by the UAD plug-in team.
The frequencies of overtones in a normal harmonic series are directly related to integer multiples of the fundamental frequency. In contrast, inharmonicity is the extent to which the frequencies of individual overtones deviate from integer multiples of the fundamental frequency.
In a musical context, percussion instruments such as chimes or cymbals often create strong inharmonic overtones, but the effect is also present in many other instruments, most notably the piano, and is directly responsible for the concept of stretch-tuning.
This term describes a type of oscillating arrangement involving a non-linear relationship between the restorative force and the oscillation amplitude. As a result, the oscillating period is dependent on the amplitude of oscillation. This is not the case in a true harmonic oscillation.
In a musical context, based on an equal temperament scale, the term enharmonic usually refers to equivalent musical notes which have the same pitch (frequency) but are denoted in different ways. For example, F# is enharmonic with Gb. However, while these two musical notes represent the same pitch, the choice of one or the other denotion would depend on the musical key and/or chord progression of the particular musical work.
An alternative meaning for the term applies where the musical scale is not based on an equal temperament, and thus Ab does not have precisely the same pitch (frequency) as G#. In this case enharmonic refers to notes which are very close in pitch — much closer than a semitone difference — but not absolutely identical.
New range of phantom-powered mic boosters offers seven different sonic flavours.
EW add to critically acclaimed software orchestra, and announce new orchestral arrangement tool.
E-V's new compact line array features a digital mixer section designed by Dynacord.
The latest release from Spitfire combines a range of sounds into a single expressive instrument, and is aimed at TV drama composers.
New flagship multi-effects pedal features a convolution engine and can store up to 100 user cabinet impulse responses.
The new Q-series USB MIDI controllers come in 32-, 49- or 88-note versions.
Powerful vocal timing correction suite gets a major update. Click to read our in-depth review!
Studio One's analogue-emulating plug-in suite is now available for use in any DAW.
SOS unveils a major redesign and update to our iOS /Android Tablet Apps which launched on 21st January 2021. Now Smartphone compatible!
New version of Korg's wave-sequencing synth sports a 61-note aftertouch keyboard.
SVT-VR Classic emulates channel 2 of Ampeg's classic bass amp.
The Mic Pre II is now available with transformer-balanced outputs.
Latest generation of subs boasts an extended LF extension and improved reflex port design.
A subharmonic is a component of a periodic wave which has a frequency lower than the declared fundamental. As an example, a component with half the frequency of the fundamental would be the second subharmonic, and whereas the harmonic series are defined by the arithmetic multiplication of the fundamental frequency, subharmonics involve the arithmetic division of the fundamental frequency. Subharmonics can be generated by using special playing techniques in a few musical instruments (such as overblowing on some wind instruments), but are more often created artificially, if required.
A transient is a short-duration non-tonal, non-periodic sound element, usually of high amplitude and typically comprising high-frequency components. In the case of sounds generated by musical instruments, transients inherently present at the beginning of tonal waveforms are often critical to the instrument's aural signature and recognition. Transients can also be caused by a variety of fault conditions, such as incorrect clocking in digital systems.