SOUND ON SOUND
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.
Decksaver have released 11 new protective covers for synthesizers and pro audio gear, expanding their range to over 320 products.
Novum allows users to generate up to six independent layers from a single sample...
Thematic Horns is the latest Spitfire product in their growing range of libraries recorded at Abbey Road.
Akai's latest instrument combines an MPC with a keyboard/synthesizer, and offers a complete standalone production environment.
Waves have updated the majority of their plug-in range to V14.
Get your hands on DPA Microphones' brand new high SPL mic (worth £672$730), ideal for kick drums.
The Galaxy 32 Synergy Core now supports surround and immersive monitoring setups up to 16 channels.
We had a look at Overloud's new Pultec emulation, the EQP, at NAMM 2022.
Goldsmiths, University of London are hosting an event and live stream featuring the unique EMS VCS4 Live Performance Module synthesizer.
Xjam is a new portable MIDI performance controller that can be used either with a DAW or as a standalone controller.
Audio interfaces and outboard equipment from some of the top names in pro audio will be on show at GearFesk UK.
We test Behringer’s take on an underrated Korg classic.
Do the automation features in DAW software make old‑school console automation redundant? We canvass opinions from big‑name mix engineers.
Mix engineers used to prefer hardware to software because it sounded better. Is that still true? And if not, is there still a reason to use it?
Diode‑based compressors can be delightful but also rather noisy. True to its name, the Zen promises a more peaceful approach...
Working on tape with the Red Hot Chili Peppers forced Ryan Hewitt to revisit old‑school mixing skills — and find ways to adapt modern techniques to the analogue domain.
For Norwegian engineer, producer and record label boss Morten Lindberg, immersive audio begins at source.
Meet Mavis, Moog’s affordable semi‑modular with more than a few tricks up its sleeve.
Extreme close miking can be an aesthetic choice or an uncomfortable necessity. Either way, it’s important to know how to get it right.
Film composer, theatre composer, TV composer, ballet composer... Why be one when you can be them all?