Classic Tracks: Paul Hardcastle '19'
Paul Hardcastle’s iconic ‘19’ owes more than a little to serendipity and the limitations of the Emulator II sampler...
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Paul Hardcastle’s iconic ‘19’ owes more than a little to serendipity and the limitations of the Emulator II sampler...
Continuing their tradition of themed rackmount modules, Emu have unleashed a 128-voice virtual orchestra in a box. A virtuoso endeavour or virtual insanity?
Imagine a synth which is a cross between the best of Emu's Proteus and Proformance modules, and also includes the Z-plane filters of the Morpheus. No further need to imagine; it's here, in the form of the new UltraProteus. Julian Colbeck checks out this impressive multitimbral module.
Unil the EII came along, Paul Wiffen had no time for sampling as a musical tool. But when he found all the filtering and enveloping he was used to from analogue synthesis, plus a sound fidelity which he hadn't heard before, he was a convert...
Given the size of the Spanish-speaking world, it makes good commercial sense to produce a Latin-style sound module — but only if it's sufficiently authentic to sell to those in the know and sufficiently versatile to be attractive to other musicians simply looking for a bit of spice in their rack. Chris Carter and Joe Ortiz play with fire...
Paul Wiffen continues his homage to the first 'musical' sampling keyboard, which brought sampling out of the dark ages of simple trigger playback and into the realm of filters, envelopes and performance controls which we take for granted on all modern samplers. The Emulator II was, as he explains, also responsible for other major innovations like on-board hard drives and CD-ROM libraries...
Emu's Vintage Keys module offered a tempting selection of sounds sampled from the cream of desirable analogue synths. Now the same concept has been remodelled, with a lower price tag to appeal to a larger range of musicians. Gordon Reid assesses the Classic Keys.
Paul White trips off to California to discover the inside track on sampling, resynthesis, Darwin, and the future power generation of musical instruments from industry pioneers, Emu Systems.
Once upon a time an Emulator was all eights: 8-bit, 8-voice, 8-outs, but that was a decade ago. Ten years on and the latest Emulator has more of the 128 about it: 128 voices, up to 128Mb of RAM. Paul Wiffen finds out if everything else about the EIV is 16 times as good.