Why I Love... Labels
Great‑sounding gear with big feature sets — what’s not to like? Well, for one, user interfaces that are so obscure you forget how they work the moment you put down the manual...
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Great‑sounding gear with big feature sets — what’s not to like? Well, for one, user interfaces that are so obscure you forget how they work the moment you put down the manual...
Do you find yourself reverting to the same familiar chords? Technology can help...
Meet Mavis, Moog’s affordable semi‑modular with more than a few tricks up its sleeve.
Alongside the people who make them, Patrick Gleeson has probably done more than anyone else to introduce synthesizers to popular music.
Moog love to push boundaries, and the Subharmonicon may be their most unusual synth yet.
Much more than just an expanded Grandmother, the Matriarch has all the makings of a classic Moog synth.
Is it a music festival? Is it an arts festival? Is it a science and technology conference? Is it a forum to promote...
The Theremini’s pitch-quantisation and price tag make it the most accessible Theremin instrument yet.
Moog modulars have always been unattainable objects of desire for most of us. But all that’s about to change...
Although they're intended mainly for guitarists, modular knob twiddlers could also find plenty to like about Moog's new pedals.
The stuff of synthesizer legend, Keith Emerson's megalithic modular system hasn't just been restored — it's also been completely recreated.
Moog’s latest synth, the Sub 37, sees the company return to the form that made their reputation back in the 1970s.
The resurrection of Moogs stellar bass synth has caused a considerable stir. Can the Taurus 3 live up to the venerable reputation of its ancestor?
Moog's Little Phatty has shed some pounds (in both senses of the word), but does this new, lightweight synth have what it takes to be a contender?
The latest Moogerfooger pedal combines the two previous MuRFs and adds MIDI.
There’s no more revered name in the history of synthesis than Moog, and the Voyager XL aims to cement their reputation for top‑flight instruments. Is this the Rolls Royce of the synthesizer world?
Anyone in any doubt as to the popularity of Depeche Mode should see this man's studio. Alan Wilder, formerly the programming powerhouse of the group, and now striking out on his own, has poured the profits of his years with the Mode into this astonishing home setup. Here he talks about the studio, his new album, and his days with Depeche.
Richard Buskin meets a successful American composer who's specialised in a unique kind of music for television...