Eventide Blackhole & MicroPitch Immersive
Eventide’s celebrated reverb and pitch/modulation plug‑ins have been reinvented — with immersive audio applications in mind.
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Eventide’s celebrated reverb and pitch/modulation plug‑ins have been reinvented — with immersive audio applications in mind.
Spring reverb can be a one‑trick pony, though it’s a pretty good trick! This one incorporates additional processing to make it more versatile.
Gainlab’s channel strip delivers high‑quality valvetube preamplification and optical compression, along with some interesting tone‑shaping options.
This all‑analogue feed‑forward limiter has the sort of look‑ahead function normally found only in digital devices.
Just why would you make the humble noise gate ‘smart’? Sonible asked that question, and this plug‑in answers it!
Although less well known today than the Pultec EQP‑1A, the versatility of LANG’s valve‑less PEQ‑2 won it plenty of admirers.
If you’re a fan of Ted Fletcher’s classic optical compressor designs, this one should not disappoint.
The latest additions to Universal Audio’s UAFX digital stompbox range offer faithful recreations of classic studio tape delays, reverbs, compressors — and even a vintage microphone preamp.
Billed as an instant mastering device for on‑stage use, the DOCtron IMC could well be an entirely new class of audio processor.
Compatible with both the 500‑series and the 51X modular formats, these classy Allan Bradford‑designed modules offer up analogue magic in spades.
Moog may be better known for their synths, but their out‑of‑production Moogerfooger effects change hands for silly prices. And now they’re available in software form...
Its combination of ‘See‑Saw’ band and filters make this classy EQ really versatile.
Pulsar train their modelling sights on Manley’s mighty Massive Passive.
When and why might you want to reach for more than one compressor to process the same signal?
We check out this painstaking recreation of the rare and coveted Motown equaliser.
The right compressor settings give you endless power to shape the sound and groove of a multi‑miked drum recording.
In a world where makers of digital amp simulators take pride in offering a huge variety of models, Universal Audio have adopted a ‘less is more’ approach.
Derived from the custom valve console in Brittany’s famous Kerwax studio, the Replica harks back to a bygone age.
The masters of convolution have finally produced a reverb, but it’s far from being a straightforward convolution reverb.
At heart, it models the same hardware as Slate’s FG‑2A, but Custom Opto’s tweaks make it useful on so many more sources!