Mastering Spatial Audio
Four‑time Grammy winner Michael Romanowski is one of very few people offering mastering services for immersive music.
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Four‑time Grammy winner Michael Romanowski is one of very few people offering mastering services for immersive music.
It’s nearly a decade since the LUFS standard for loudness measurement was defined, yet many still seem confused about what it means for music production.
A good real‑time analyser can draw attention to what our ears miss, and with multi‑channel formats that second opinion can be invaluable.
With a record three Album of the Year nominations at this year’s Grammy Awards, mastering engineer Emily Lazar is at the forefront of her profession.
The move away from traditional studio production has opened up new opportunities for mastering engineers like Piper Payne — but it’s also brought new challenges.
Are cloud-based mastering services a threat to traditional mastering engineers, or just a cheap alternative for producers who can’t afford the real thing? It depends who you ask...
Getting the tonality of your mix right is one of the most challenging aspects of home mastering. Thankfully, ‘profiling EQ’ plug-ins can help.
Among his many credits as an engineer, producer, programmer and artist, Jon Astley is perhaps best known for his award-winning work remastering classic albums from the likes of The Who, Abba and George Harrison.
Many home recordists hope to perfect their productions by undertaking their own mastering on their studio computer. However, few seem to achieve the classy results they're after. So how much can you realistically achieve by going it alone, and what techniques will deliver the highest-quality results?
If you're looking to release a record that you have produced at home, it's a good idea to have the product professionally mastered, but it is not always obvious if a mix is adequately finished. We find out how to prepare your songs for the mastering house, and what the engineer can do for you.
As one of the senior engineers at New York's famous Sterling Sound, Chris Gehringer has mastered some of the biggest hip-hop and R&B hits of recent years.
An established studio in the USA is planning to rely on software that can be freely downloaded from the Internet. Are they crazy, or do Linux-based recording applications offer a real alternative to the established Windows and Mac packages?