SOUND ON SOUND
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Niels Larsen, Steinberg's Sales and Marketing manager, lets you in on some crafty ways of using Cubase.
How do Steinberg's DSP software plug-ins for their WaveLab software, now at version 1.5, compare with the industry heavyweights? Paul White unearths his nastiest recordings to find out.
Paul White plugs his very real guitar into a virtual amp and gets down to playing some unimaginable music.
This sophisticated new digital editor is up against such established software as Sound Forge and Samplitude Studio. Janet Harniman-Cook assesses whether Steinberg have built on their status in the sequencer field with a successful PC wave editing program.
This year's show-stealer at Frankfurt's Musik Messe, Steinberg's Cubase VST isn't just another 'MIDI plus Audio' sequencer — it adds the effects and processing options hitherto only available in expensive TDM systems, for the same price as the previous, non-audio version of Cubase. Is this the perfect desktop recording environment? Derek Johnson and Debbie Poyser find out.
Cubase, in its many guises, has established itself as an industry standard on Apple and Atari platforms, and now looks set to be the benchmark by which other PC sequencers will be judged. Kevin Pawsey investigates what Steinberg has to offer the score-producing musician.
Panicos Georghiades and Gabriel Jacobs put Steinberg's new budget 'MIDI-plus-audio' sequencer for Windows through its paces.
Simon Millward kicks off a new series designed to give beginners a solid grounding in the use of Steinberg's flagship software package.
Paul Farrer rotates his baseball cap through 180 degrees, sharpens his digital knife, and gets sample-slicing with Steinberg's ReCycle.
Steinberg's Time Bandit is a Mac software package for processing Sound Designer II files off-line, using sophisticated time stretch and pitch shift algorithms. Long-time Sound Designer II user Paul White couldn't wait to get it home...