SOUND ON SOUND
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Many Cubase users also own high-quality drum virtual instruments and sample libraries that aren't mapped to the GM standard. Fortunately, you can create your own dedicated drum maps.
Here are the files that accompany SOS February 2009's Cubase 4 workshop on Drum Maps.
With Cubase 4.1, Steinberg overhauled the Sample Editor, creating a very powerful new tool for real-time pitch and time manipulation.
Steinberg's CC121 controller is, as you might expect, designed to work seamlessly with their DAW software — so is this the perfect companion to Cubase and Nuendo?
Having done your best to capture a high-quality recording of your vocals, how best do you go about processing them so they work in your mix?
If you want to group tracks in Cubase, Group channels aren't always the best option. We explore what you can and can't do with the Link Channels function.
The first fruit of the Yamaha-Steinberg union is finally with us, but does it provide the hardware/software integration that Cubase and Nuendo users have hoped for? And what is there to tempt users of other DAWs? Let's find out...
Kick drums and bass instruments underpin most contemporary popular music, and it sometimes pays to tweak performances so they work better together.
UK retailers Digital Village are to hold a series of events to demonstrate the new features in Cubase 4.5. (...
Steinberg have announced the latest revision of Cubase 4, their DAW software. The main features of version 4.5 include...
Cubase's new routing options enable you to export multiple audio tracks in one go: we take you step by step through the process.
For some, the jury is still out on Steinberg's ambitious SoundFrame and MediaBay concepts, but for certain tasks they can definitely be useful — getting your loop library organised, for example...
Our recent explorations of the new software synthesizers introduced in Cubase 4 conclude with a tour around Spector...
Here are the URL links to the audio examples that accompany and enhance the July 2008 Cubase Notes article.
We dive deeper than the presets to discover what you can do with Cubase 4's most complex bundled soft synth.
Links to the Mystic Synth audio examples that accompany June 2008's Cubase Notes.
The tools for audio slicing were overhauled in Cubase 4.1. Find out how to get the best from them.
There's more to Prologue than its presets — and it doesn't take long to create some excellent and unique patches.
At Musikmesse, Steinberg were showing three new hardware products — two interfaces and a desktop DAW controller...
Crafting the perfect mix is a difficult task, but often all you need is a bit of organisation to make things quicker, easier and more rewarding.