SOUND ON SOUND
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Divisimate 2 brings a host of improvements and new features to Nextmidi’s orchestration software.
They’ve engineered synth noises for years, but this is the California‑based company’s first foray into the guitar‑pedal world.
If you do much work with surround or immersive formats, upmixing and downmixing are a fact of life. With Penteo, good results needn’t cost the Earth.
Novation’s updated Launchkey range introduces improved creative features and better DAW integration.
Play All Day’s debut outing takes a novel approaching to hands‑on hardware control.
Pro Tools has many features aimed at post‑production. Could they help you with music production too?
Are mixers smart enough to know when a signal coming into the XLR is at line level and to adjust accordingly?
Rating: ★ ★ ★ ★ ★ 5/5 Stars. Emergence Audio apply their Infinite Motion Engine and Non‑Static Sampling technology to another member of the woodwind family in their latest release.
The Roland P‑6 is a pocket‑sized sampling powerhouse.
Rating: ★ ★ ★ ★ ★ 5/5 Stars. Dreamtonics add a further voice database expansion to their voice generator software.
Rating: ★ ★ ★ ★ 4/5 Stars. A collection of cinematic‑flavoured drum and percussion sounds, aimed squarely at composers.
Rating: ★ ★ ★ ★ 4/5 Stars. Osmosis provides a wide palette of cello articulations and experimental techniques that help inspire creativity.
Sample Logic rev their own engine, cinematic style.
Soyuz’s latest pencil mic is as easy on the ear as it is on the eye!
Love it or hate it, pitch‑correction is here to stay — but there can be way more to it than fixing performance issues.
With the introduction of CV Instrument, you can control your modular rig from Studio One!
Brothers Sebastian and Daniel Selke and Kyoto‑born Midori Hirano are Berlin‑based producers and artists who have come together to produce a collaborative album called Split Scale.
Piano lessons from seven years of age and pipe organ fascination from the age of nine began a passion for keyboards. Now, aged 82, I love my keyboards.
Are buzzes, hums and hisses ruining your guitar recordings? Here’s how to keep the noise to a minimum.
Yamaha’s FGDP‑50 drum pad is designed explicitly for the digital percussionist.