SOUND ON SOUND
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MOTU have just announced that their 16A, 848 and 10pre units are now capable of sharing, routing and distributing hundreds of audio channels alongside other devices on a Milan AVB network.
From the pioneering polysynths of the 1970s to the flagship and boutique hardware of today, Synth Anthology 5 promises to provide users with “an entire history of electronic sound” at their fingertips.
Digital Sunset Studios have been busy working on an interesting project: a free software tool that provides computer-based editing for a range of Behringer’s synths.
Limited to a run of just 80 instruments, the Rhodes MK8/80AE will feature a gloss-varnished black oak case, chrome detailing and a transparent hood, with each unit handcrafted in the UK by Rhodes Master Builders.
LSO St Luke’s have recently launched brand new recording facilities as part of a multi-million-pound investment in their creative and technical infrastructure.
The latest addition to VSL’s ever-expanding sample library collection introduces three new Single Pack instruments to the Synchron Brass series, along with a new bundle that brings together all of their muted brass offerings.
Over 150 manufacturers took part in GearExpo UK, demonstrating everything from mics, synths and interfaces through to large-format consoles and high-end monitoring systems.
Following the news of Native Instruments joining the inMusic brand line-up, Academy and Emmy Award-winning visual effects software developer Boris FX have announced their acquisition of iZotope.
Sine Machine is the debut launch from Melatonin, a Vienna-based developer who have spent the past six years creating what they describe as “a friendly starting point for additive synthesis”.
Along with a range of user-requested improvements, SpectraLayers 13 comes loaded with a suite of new tools dedicated to creative unmixing, speech refinement, audio reconstruction and noise control.
The Anagram Limited Edition Guitar Essentials is finished in a sleek matte-black enclosure, and comes loaded with a curated library of classic amp and effects models chosen by Sweetwater and Andertons.
Bringing together an array of “microtonal, stammering, stuttering, strangulated tones”, Brackish Pads is said to be best suited to heartbreaking, tragic and profound music.
Akai recapture the magic of MPC with a powerful, portable groovebox.
The name Leviasynth suggests an enormous beast of tremendous depth... which isn’t too wide of the mark.
We check out a new FET compressor emulation based on producer Greg Wells’ favourite vintage unit.
Barefoot’s latest compact three‑way represents a significant step up from its predecessor.
Clean gain isn’t exactly a problem for us these days, so we often look to dedicated preamps more for their tonal character and ease of control. The new 1588 offers both.
Cherry Audio’s take on the Crumar DS‑2 could be better than the original...
Could the new Folder Track features in Cubase help you better organise your projects?
When game developers turn their hand to making studio effects, the results are bound to be highly playable!