SOUND ON SOUND
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Built to Schlappi's same exacting standards, this all-analogue module can be an oscillator, LFO, filter or waveshaper...
Described as an 'organismic synthesizer', the Lyra-8 doesn't merely produce wailing sirens, it excels at screams, drones and a great many flavours of crunchy dissonance.
The Medusa combines analogue and digital, synthesizer and sequencer — and even throws in a controller for good measure.
Interstellar Radio is "a faulty transmission line", whose wholly analogue design converts incoming audio to a high frequency pulse train then back again.
Thankfully Bassline is not a TB‑303 clone: its acidic pedigree is very much its own.
It's hard to imagine any modular system not benefiting from a dash of randomness; Marbles offers three streams of triggers/gates and four voltages...
Even though it first saw the light of day in the early 1980s, MIDI is a protocol that shows no sign of fading away, and for those of us who depend on it, it’s an ongoing relief that companies such as Kenton exist...
Latvian Erica Synths have partnered up with French company e-licktronic to develop drum modules with a distinctly Japanese flavour.
The Erica Synths Drum Sequencer is a drum brain optimised for live performance with plenty of capacity for all your favourite patterns...
Strymon’s effect pedals are revered and rumours of Eurorack versions generated a degree of anticipation. The first module released is Magneto, an echo machine based on tape simulation, with four playback heads, phrase sampling, looping and a lush spring reverb.
Dendrites is a compact filter module consisting of 16 modes, accessed from a central encoder. Each group of low-pass, band-pass, high-pass and phase-shift filters is represented by a different coloured LED...
The Lifeforms Micro Sequence is a compact eight-step sequencer with more functionality than its minimalist design suggests...
Laid out in Vermona’s usual spacious style, Random Rhythm is a dual-channel trigger sequencer optimised for hands-on, four-on-the-floor beat creation.
There aren’t many modules that will deliver endless rhythmic variations, randomised ambient pings and subtle timing shifts alongside more familiar roles such as clock division and logic. The Event Boss will...
Classic low-pass gates are probably best associated with the Buchla modulars. However, Rabid Elephant decided against the vactrols, aiming to produce something faster, more accurate, durable and natural-sounding.
Developed in conjunction with Matthias Puech, the 4MS Tapographic Delay is a hands-on 32-tap delay with a maximum delay time close to three minutes.
Plonk uses AAS physical modelling to generate many voices of a typical drum machine, but it’s equally suited to creating strikes and hits with no real-world equivalent...
Formant Filter offers morphing between three different vowel sounds and via parallel band-pass filters, it delivers convincing vocal tones...
Rainmaker consists of a stereo 16-tap spectral delay paired with a 64-tap comb resonator, the latter sporting external triggering options that turn it into a (single-voice) Karplus-Strong synthesizer.