SOUND ON SOUND
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Fatboy Slim’s dream of universal 303 ownership inches a little closer with this cut‑price acid box.
Welcome to another joyfully peculiar Error Instruments protrusion into normal space. It arrives in the form of a porridge‑inspired granular sampler that’s as brilliant as it is baffling.
Now we know how to get immersive in Studio One, let’s add some delay and reverb to our Atmos mixes!
Rain are quick off the mark with a model featuring the latest ‘Sandy Bridge’ CPU — and the results are rather impressive...
Could Intech Studio’s ingenious modular system help you build your perfect MIDI controller?
A Gameboy cartridge‑based Eurorack effects module? Robin Vincent puts the Befaco FX Boy to the test.
With Studio One 6.5 you already have all the tools you need to mix in Atmos, so why not give it a go?
The Endless Processor from Kyiv‑based Blukac does one thing. It takes a sound and sustains it to infinity.
Studio One now includes some powerful notation and tablature options. Let's explore...
The latest update to PreSonus’ top of the line DAW introduces comprehensive Dolby Atmos integration and more besides.
Night Rider from RYK is a Quad Sequential Resonator, offering four resonant filters that can be sequenced.
Studio One, from version 6 on, is now a surprisingly powerful video editor!
With a built‑in analogue compressor, Apogee’s Jam X is designed to get your guitar sound right from the start.
Bend Markers let you manipulate your audio timing with ease.
Behringer’s TD‑3‑MO isn’t just a TD‑3 with extra knobs: it’s a completely different instrument.
In the biscuit barrel of modular, ACRONYM is a chocolate Hobnob dunked into a chilli mochaccino.
Roland’s SH‑101‑inspired S‑1 is a great‑sounding synth with surprising depth.
Clean up your MIDI with Studio One’s comprehensive quantise options.
Arturia’s new KeyLab Essential focuses firmly on computer control, with ambitious DAW integration.
We explore how Studio One’s Snap, Grid and Quantize settings interact.