SOUND ON SOUND
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In Studio One, Layers are all about the wonderful world of managing multiple takes.
Hyperion is a hugely capable synthesizer with a complex modular heart.
Maestro is a six‑channel clockable and programmable LFO with an unusual button‑based front panel.
The Filtamp 1006 is a combined 24dB ladder VCF and VCA module with two mixable audio inputs, three modulation inputs, filter resonance and amplifier gain with linear or exponential control.
The Browser’s presence and impact has swelled to take in all sorts of file‑based functions and probably has a raft of features that you weren’t even aware of.
Audient’s budget‑friendly interfaces get a welcome update and a new look.
Erica’s Black Sequencer combines ambitious functionality with some of the best knobs money can buy.
We take a look at what’s included with PreSonus Sphere.
There’s an overwhelming number of low-cost audio interfaces out there, so how do you choose the right one for you?
Korg’s SQ‑64 step sequencer bridges the gap between ‘deep’ and ‘hands‑on’.
We explore the 5.2 update which offers enhancements to the Score Editor, the introduction of live looping to the Arranger Track, and improved tools for remote collaboration.
I don’t think I’ve ever been as pleasantly surprised by a module as much as I have with the Data Bender...
Can you really buy a useful audio interface for £39$49?
We show you how to structure your music with the Arranger Track.
We look at how to improve our workflow with the magic use of key commands, also known as hot‑keys or keyboard shortcuts.
The Cobalt 8 is a beautifully judged virtual analogue synth.
The Show Page is designed for live performance, and combines the roles of virtual instrument host, mixer and backing‑track player.
Version 5.1 recently dropped and it includes score printing and more besides. We explore the new features in the Score Editor.
Korg rework their popular Volca Sample with some welcome additions.
True to form, Teenage Engineering’s approach to modular synthesis is about as idiosyncratic as it gets.