
All About Digital Audio: Part 1
Digital recording systems have been in everyday use now for nearly 20 years, and such systems have become affordable to the project studio owner within the last decade. But what actually is digital recording, how does it work, and are the claims made about its sonic perfection justified? In the first of this new 6-part series, Hugh Robjohns revisits the technology and techniques involved.

All About Digital Audio: Part 2
Hugh Robjohns continues his look at the techniques and technology of digital audio. This month — quantising and oversampling.

All About Digital Audio: Part 3
In the third instalment of our series on the techniques and technology of digital audio, Hugh Robjohns turns his attention to digital audio error detection and correction — and some of the problems associated with them!

All About Digital Audio: Part 4
In the fourth instalment of our series on the techniques and technology behind digital audio Hugh Robjohns looks at digital tape recording formats.

All About Digital Audio: Part 5
Following on from last month's look at digital tape recording formats, Hugh Robjohns turns the spotlight on the techniques and technology of disk-based recording.

All About Digital Audio: Part 6
In the final instalment of our series on the techniques and technology of digital audio, Hugh Robjohns contemplates plugging it all together.
A/D [A-D] Converter
A device which converts an analogue audio signal into a digital representation. (Cf. D-A Converter.) (An explanatory video is available when subject link is clicked.)
Aliasing
When an analogue signal is sampled for conversion into a digital data stream, the sampling frequency must be at least twice that of the highest frequency component of the input signal. If this rule is disobeyed, the sampling process becomes ambiguous as there are insufficient points to define each cycle of the waveform. This resulting in unwanted anharmonic distortion component frequencies (not musically related) being added to the wanted signal.
Anti-alias Filter
A very steep low-pass filter used to limit the frequency range of an analogue signal prior to A/D conversion, so that the maximum frequency does not exceed half the sampling rate. (See A-D Conversion)