Though there’s only one main user control, VocalMint's audio path comprises a serial chain of three different types of compressor, and multiple behind‑the‑scenes parameters have been optimised specifically for vocal processing.
Can this 'New York–style compression' recapture the experience of sending audio out to a UREI 1176 in 'all buttons in' mode, smashing the crap out of it and blending it back under the dry signal?