Does the new 266 compressor from dbx really excel?
We test ART's two compact tube processors to see if they sound bigger than they look.
The DDP takes the five dynamics processes you're most likely to want, turns them digital, and squashes them into a 1U studio workhorse box for under £600.
Paul White tries out a compressor that looks like a cross between a portable CD player and a Stealth soap dish, but discovers the sound is much bigger than the package.
Does the DPR422 have the right combination of price and performance to break BSS into the project studio market?
Is the dbx 160S pure technology, a work of art, or a little of both?
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