Though there’s only one main user control, VocalMint's audio path comprises a serial chain of three different types of compressor, and multiple behind‑the‑scenes parameters have been optimised specifically for vocal processing.
Compression can do radically different things to the sound of a snare drum, depending on how it's set up. In this episode, Mike Senior explores three ways in which a compressor can help bring your snare tracks to life.
Can this 'New York–style compression' recapture the experience of sending audio out to a UREI 1176 in 'all buttons in' mode, smashing the crap out of it and blending it back under the dry signal?