I’ve been using the Haas delay effect to add some nice width to my guitar parts. It sounds great, but I’ve noticed that when I listen in mono my guitars pretty much disappear from the mix. Any advice?
If you wanted to make an authentic hardware tape delay today, you could do a lot worse than commission a designer who used to work for Watkins, makers of the seminal Copicat. So that's what Blue Coconut did...