While UltraTap can go some way towards replicating a multi‑head tape echo machine, it also excels at artificial double-tracking, dreamy ambient delays, vocal thickening and gentle tremolo...
If you prefer delays that are a little more ‘out there’, this one is aimed at you.
This ‘wet effects generator’ is aimed squarely at modern productions.
Waves have a long‑standing relationship with celebrated rock music mixer Chris Lord‑Alge, and CLA Epic offers the user some of Chris’s favourite delay and reverb treatments.
The Echo Cat mimics the famous Watkins hardware tape delay, but is capable of more besides.
Boss got so much right with their DD‑3 that it has remained on sale ever since it launched in 1986. But this year they’ve updated it and introduced the more adventurous DD‑8.
While capturing the sound of the original hardware and controls, IK have added several useful features that today's DAW user should appreciate.
Just over a year ago I reviewed the Tiptop Audio Z‑DSP NS. It's a large, flagship, modular effects processor...
What more can this plug‑in offer than the hardware that inspired it?
If you're seeking a performance-friendly effects processor with a top-notch signal path, this might be just what the doctor ordered...
This plug-in sounds pleasingly 'organic' and adds some useful functionality compared with the Binson Echorecs on which it's based.
Collider is essentially a dual–DSP marriage of Source Audio's Ventris reverb pedal and their Nemesis delay.
Arturia turn their attention to delays, offering us three software options: one an original design, and two modelled on classic hardware.
Boasting three pressure-sensitive footswitches, this delay pedal puts more control at your feet than most.
The TC 2290-DT is part plug-in, part hardware: the bus-powered USB 2 device acts as both dongle and control surface...
This stompbox combines analogue and digital processing to offer bucket-brigade warmth without the down sides.
This little module combines quiet, clean electronics with a characterful bucket-brigade delay line.
The humble digital delay pedal has evolved into something we could once only dream of...
Developed in conjunction with Matthias Puech, the 4MS Tapographic Delay is a hands-on 32-tap delay with a maximum delay time close to three minutes.
Electro-Harmonix’s Canyon is a delay/looper, but it goes the extra mile, packing a wide repertoire of delay effects into its compact pedal format.
Source Audio are really pushing the boundaries of delay processing with their latest One-series pedal, the Nemesis Delay...
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