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Effects

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    Lexicon PCM96

    Reverb Processor

    Despite the huge advances in software reverbs in recent years, the best ones are still found on dedicated hardware units. There are very few manufacturers in this market, and we've been on tenterhooks since we heard that Lexicon were developing a new flagship hardware reverb that could be used within a DAW. So should your studio find a place for it?

    Reviews Nov 2008
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    Lexicon MX400/400XL

    Multi-Effects Processor

    Lexicon's MX200 offered the innovative ability to integrate with a sequencer host just like an effects plug-in. The updated MX400 goes one better - it does all that, but with dual effects-processing engines too.

    Reviews Nov 2006
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    Lexicon MX200

    Multi-Effects Processor

    Lexicon's latest hardware reverb is designed to be as easy to control from your computer as a plug-in.

    Reviews Nov 2005
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    Lexicon MPX550

    Dual-channel Effects Processor

    Lexicon update their MPX500 with more editing parameters, extra mastering processes, and more user patches.

    Reviews Jan 2003
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    Lexicon MPX500

    Dual-channel Effects Processor

    Lexicon's new mid-priced unit strikes a balance between the ease of use of their budget gear and the flexibility and sonic class of their high-end products. Paul White gets an exclusive first look...

    Reviews Feb 2000
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    Lexicon MPX100

    Dual-channel Effects Processor

    If you've £250 to spare and a reverb-shaped hole in your studio, Lexicon would like you to fill it with their latest budget processor, which offers 20-bit converters, a digital output as standard, and the famous Lexicon Ambience effect.

    Reviews Aug 1998
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    Where To Use Processors & Why: Part 4

    Chorus / Phasing / Flanging

    Chorus, phasing and flanging are very common processes, but they don't always achieve the effect you hoped for. Paul White offers a few tips.

    Techniques Jan 1998
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    Multi-effects Explained: Part 4

    Using MIDI To Add Dynamics

    Paul White looks at how MIDI can be used to turn static effects into dynamic ones.

    Techniques Oct 1997
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