Parallel processing while mixing is a common technique — so why not try it with your pedals when recording?
Why let guitarists have all the fun? Stompboxes can be inspirational mixing tools.
I've got a Zoom MS-70CDR [multi-effects] pedal, and a few people are saying not to use it via an aux send and return, owing to a comb-filtering issue. Have you noticed this issue with digital pedals on aux returns?
Guitar-synth stompboxes open up a world of sonic possibilities — but getting the most out of them takes a little forward planning...
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