The 1973 version two Big Muff Pi — with a ram's head printed on the casework — was used on so many classic records that EHX have decided to bring it back.
This all-digital pedal's polyphonic envelope technology lets you apply separate envelope shapes to overlapping notes to simulate a tape reverse effect.
Electro-Harmonix’s Oceans 11 reverb pedal offer you the classic Hall, Plate and Spring options, plus modulated reverbs, pitch-shifted reverb, reverb/delay, reverse reverb, a Shimmer patch, and an infinite reverb mode...
Electro-Harmonix’s Mel9 guitar effects pedal, which must qualify as their most ambitious model so far, produces a range of instantly recognisable Mellotron sounds.
The Key9 takes in a monophonic or polyphonic signal from a standard electric guitar, processes the waveforms that come from the pickups, and delivers a remodelled sound, in this case emulating electric pianos...
E-H's overdrive pedal uses MOSFETs as non-linear elements to create distortion, and actually performs as well as many boutique pedals despite being very modestly priced.
If you read my review of the Electro–Harmonix B9 Organ Machine effects pedal, their C9 will look very familiar but this latest pedal offers different sounds.