The description 'boost pedal' actually does the Steelpark something of a disservice, since it's also a very sophisticated and flexible low-gain overdrive that works with your amp to recreate a variety of classic tones.
The ODR‑Mini is essentially a slightly tweaked version of Nobels' ODR‑1 overdive pedal (by all accounts extremely popular with Nashville musicians), with true bypass and a tightened low end, but squeezed into a mini‑format case.
Tremotron can emulate an amplifier’s tremolo effect but it also has the unusual ability to run two tremolos at a time to create more rhythmic modulations.
The DC‑2W is based on the same principles as the original flagship Roland SDD‑320 Dimension D processor, and it can emulate both the discontinued DC‑2 pedal and the SDD‑320.
Lunastone use cascaded gain stages rather than clipping diodes to achieve their amp-like distortion. And Smooth Drive 1 claims to deliver vintage tones that are just on the edge of break-up, rather than full-on distortion.
Guitar pedals range from the very basic ‘turn a knob’ variety to those with deep MIDI implementations and layers of hidden parameters. Lunastone’s Three Stage Rocket [MIDI Version] overdrive aims to strike a balance between those extremes...
Electro-Harmonix’s Oceans 11 reverb pedal offer you the classic Hall, Plate and Spring options, plus modulated reverbs, pitch-shifted reverb, reverb/delay, reverse reverb, a Shimmer patch, and an infinite reverb mode...
Meris’s recent repackaging of their Mercury7 500-series unit into a reverb pedal has brought with it stereo operation at both instrument and line levels and a very welcome drop in price.