Chris Korff reviews this pedal-format spring reverb derived from the Demeter rackmount units, which uses real springs rather than an emulation circuit.
You’d think a digital effect processor’s brilliance might have been eclipsed somewhat in the last decade, but Eventide have made significant software changes that keep this one fresh, relevant and desirable.
Swedish bass‑equipment manufacturers EBS’s
updated MultiComp pedal is intended to make
transparent‑sounding bass compression easy to achieve. Matt Houghton investigates...
How do you make a piezo-miked acoustic guitar sound like a real miked acoustic? Fishman have improved on their already impressive answer to that question...