Hotone believe you shouldn’t have to tweak a million virtual components to find a great guitar tone...
UJAM add some vintage vibes to their range of user‑friendly effects plug‑ins.
Fideleater is a lo‑fi chorus, vibrato and delay pedal whose six controls can be used to access a huge palette of sounds.
Given the significant cost of this pedal, it’s probably going to appeal mainly to those who already know what to expect from it, though the limited production run may also make it of interest to collectors.
While the Vena Cava Filter is a distortion pedal at heart, the main functions of this unit are an auto-filter and ring modulator.
JMC Orbitron can run up to four modulation algorithms simultaneously, and they can all be blended to taste with the main circular X/Y control.
Could this plug‑in be both the quickest and the best way to achieve a range of familiar vocal effects?
The bucket‑brigade analogue delay line gives this pedal a classic chorus sound reminiscent of the early Clone Theory pedals...
Why let guitarists have all the fun? Stompboxes can be inspirational mixing tools.
This delicious‑sounding phaser should fill the needs of funk players or those trying to replicate some of the gentler Jimi Hendrix and David Gilmour effects.
SoundMorph’s Dust takes an interplanetary approach to granular resynthesis.
Waves breathe a little freshness into the familiar.
Arturia add some helpful extras to their plug-in models of three classic analogue modulation effects.
Much more than a crossfade tool, Transmutator offers multiple blending modes that allow you to combine or transition between two signals in creative ways.
Warm Audio’s Foxy Tone Box claims to be an accurate recreation of one of the most sought‑after vintage fuzz pedals of all time...
Undulator combines multitap delay with feedback and detuning, alongside a multi-waveform tremolo whose depth and speed can themselves be modulated.
SubBass Doctor 808 is designed to add sub-bass to sounds that already reside in the sub-50Hz low-frequency register.
Looperator takes any audio source and slices it into 16 steps, applying a series of effects to any step that include filters, stutters, slices, distortion, tape stops, volume modulation and looping.
Source Audio have managed to get the relationship between input envelope and filter response to feel very natural on this envelope-controlled filter.
New vocal processor offers real-time voice effects and manipulation for live performance.
Ever wondered how a Leslie cabinet with four different speakers would sound?
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