Effects

The market for hardware samplers may be on the wane, but Emu aren't abandoning their hardware customers; their RFX32 effects/mixer card can add tremendous processing and routing power to any of their Ultra samplers.

A plug-in card for the Yamaha AW-series workstations that combines Waves-quality DSP effects with eight channels of ADAT optical I/O.

TC upgrade both the hardware and the software of their cost-effective M•One multi-effects unit.

Digitech BP200 Modelling Bass Effects

Korg's AX1500G floor-standing guitar multi-effects processor offers tons of tone for very few pounds.

The latest dual effects processors from LEM sound better than their price might lead you to expect.

Line 6's acclaimed Delay Modeler pedal gets a rackmount makeover.

Boss' latest multi-effects processor for guitarists gets the SOS review treatment...

The new AG Stomp physically models a miked-up acoustic guitar sound using the DI signal from an acoustic guitar piezo pickup, and also offers a variety of useful effects processors.

Eventide's new entry-level unit brings their high-end algorithms within reach of the serious home studio owner.

Line 6 have released two DSP-based effects pedals that use physical modelling to recreate the echo, delay and modulation treatments of a bygone age. Paul White — who was there first time around — finds out how they measure up to the real thing.

Lexicon's new mid-priced unit strikes a balance between the ease of use of their budget gear and the flexibility and sonic class of their high-end products. Paul White gets an exclusive first look...

Can these new digital interpretations of classic analogue filters and vocoders really offer something new?

Mike Collins provides some early reflections on TC Electronic's latest reverb unit and effects processor.

Though marketed as a guitar effects unit, the G Force might be more accurately described as a full-function studio effects processor with some neat guitar-related functions added.

We try out what must be the most cost-effective programmable 24-bit effects unit on the market. But can quality really come at such a low price?

Can this intriguing little box really emulate the recorded sound of many of the world's greatest guitar amplifiers?

If you've £250 to spare and a reverb-shaped hole in your studio, Lexicon would like you to fill it with their latest budget processor, which offers 20-bit converters, a digital output as standard, and the famous Lexicon Ambience effect.

ART have been championing the cause of musicians on a budget for years with their great value multi-effects units. We check out their latest effort, offering true 4-in, 4-out capabilities for under £300.

There have been Leslie simulators before, but none to exploit the sympathetic warmth of valves.

Paul White tries to pigeonhole Digitech's new effects unit — but quickly discovers that it can mean different things to different users.